Wednesday, June 02, 2004


cinema of 2002, in a nutshell




Adaptation. (Spike Jonze, USA)
Blissfully Yours (Apichatpong Weerasethakul, Thailand)
Daughter From Danang (Gail Dolgin & Vincente Franco, USA/Vietnam
Femme Fatale (Brian De Palma, USA/France)
Late Marriage (Dover Kosashvili, Israel)
Punch-Drunk Love (Paul Thomas Anderson, USA)
Talk to Her (Pedro Almodovar, Spain)
25th Hour (Spike Lee, USA)
Y tu mamá también (Alfonso Cuarón, Mexico)


About a Boy (Chris Weitz & Paul Weitz, USA/UK)
Atanarjuat: The Fast Runner (Zacharias Kunuk, Canada)
Dahmer (David Jacobson, USA)
8 Women (Francois Ozon, France)
Far From Heaven (Todd Haynes, USA)
Gaza Strip (James Longley, USA)
The Grey Zone (Tim Blake Nelson, USA)
Home Movie (Chris Smith, USA)
The Lord of the Rings: The Two Towers (Peter Jackson, USA)
Minority Report (Steven Spielberg, USA)
Morvern Callar (Lynne Ramsay, UK)
Panic Room (David Fincher, USA)
Promises (Justine Shaprio & B.Z. Goldberg, USA/Israel)
Roger Dodger (Dylan Kidd, USA)
Solaris (Steven Soderbergh, USA)
Spider-Man (Sam Raimi, USA)
Spirited Away (Hayao Myazaki, Japan)
Time Out (Laurence Cantet, France)
Trouble Every Day (Claire Denis, France)
Turning Gate (Hong Sang-Soo, South Korea)
24 Hour Party People (Michael Winterbottom, UK)
What Time is it There? (Tsai Ming-Liang, Japan)


All or Nothing (Mike Leigh, UK)
The Believer (Henry Bean, USA)
Bitters and Blue Ruin (Sean Kelley, USA)
Blade II (Guillermo del Toro, USA)
Bowling for Columbine (Michael Moore, USA)
Box Head Revolution (Mark Christensen, USA)
Catch Me If You Can (Steven Spielberg, USA)
Cavalcades (Noah Nuer, France)
Confessions of a Dangerous Mind (George Clooney, USA)
Cremaster 3 (Matthew Barney, USA)
Cry For Argentina (Angus McQueen, UK/Argentina)
The Devil's Playground (Lucy Walker, USA)
Dziga and His Brothers (Evgeniy Tsymbal, Russia)
I Don't Know Jack (Chris Leavens, USA)
Frailty (Bill Paxton, USA)
Gacaca, Living Together Again in Rwanda? (Anne Aghion, France/USA)
Gangs of New York (Martin Scorsese, USA)
Goodbye Dear Love (Ruth Behar, USA/Cuba)
How to Draw a Bunny (John Walter, USA)
Human Weapon (Ilan Ziv, France/Israel/USA)
Insomnia (Christopher Nolan, USA)
Intacto (Juan Carlos Fresnadillo, Spain)
Jackass: The Movie (Jeff Tremaine, USA)
Karmen Gei (Joseph Gai Ramaka, Senegal)
The Kid Stays in the Picture (Brett Morgan & Nanette Burstein, USA)
Ladies and Gentlemen Over 65 (Lilos Mangelsdorf, Germany)
The Lady and the Duke (Eric Rohmer, France)
Lagaan (Ashutosh Gowariker, India)
The Laramie Project (Moisés Kaufman, USA)
Last Orders (Fred Schipisi, UK)
The Legend of Leigh Bowery (Charles Atlas, USA)
Life on the Tracks (Ditsi Carolino, UK/Phillipines)
Lilo & Stitch (Chris Sanders & Dean DeBlois, USA)
Look Out Haskell, It's Real!: The Making of Medium Cool (Paul Cronin, USA)
Love and Diane (Jennifer Dworkin, USA)
Lovely & Amazing (Nicole Holofcener, USA)
A Lucky Day (Sandra Gugliotta, Argentina)
Maggie Growls (Barbara Attie & Janet Goldwater, USA)
Man Without a Past (Aki Kaurismaki, Finland)
Murderous Maids (Jean-Pierre Denis, France)
Nicholas Nickleby (Douglas McGrath, USA)
A Night Prophecy (Amar Kanwar, India)
On the Frontline (Hanoch Zeevi, Israel)
The Piano Teacher (Michael Haneke, France/Austria)
Pistol Opera (Seijun Suzuki, Japan)
'R Xmas (Abel Ferrara, USA)
Rana's Wedding (Hary Abu-Assad, Palestine/The Netherlands/United Arab Emirates)
The Ring (Gore Verbinski, USA)
Road to Perdition (Sam Mendes, USA)
Scratch (Doug Pray, USA)
Secretary (Steven Shainberg, USA)
Seven Days in Tehran (Reza Khatibi, France/Iran)
The Son's Room (Nanni Moretti, Italy)
Tikkun (Taliya Finkel, Israel)
Undercover Brother (Malcolm D. Lee, USA)
Undisputed (Walter Hill, USA)
War Takes (Patricia Gastano & Adelaida Trujillo, Columbia/UK)
Warm Water Under a Red Bridge (Shohei Imamura, Japan)
We Interrupt This Empire (Video Activist Network, USA)
When the War is Over (Francois Verster, South Africa)


About Schmidt (Alexander Payne, USA)
Ali G Indahouse (Mark Mylod, UK)
Birthday Girl (Jez Butterworth, USA)
Blue Crush (John Stockwell, USA)
The Bourne Identity (Doug Liman, USA)
The Business of Fancydancing (Sherman Alexie, USA)
Changing Lanes (Roger Michell, USA)
Chicago (Rob Marshall, USA)
Dagon (Stuart Gordon, Spain)
Die Another Day (Lee Tamahori, USA/UK)
Dogtown and Z-Boys (Stacy Peralta, USA)
Guardian of the Frontier (Maja Weiss, Slovenia/Germany)
Heaven (Tom Tykwer, Germany/Italy/USA)
Human Nature (Michel Gondry, USA)
I Am Trying to Break Your Heart (Sam Jones, USA)
I'm Going Home (Manoel de Olveira, Portugal/France)
Invincible (Werner Herzog, Germany)
Kissing Jessica Stein (Charles Herman-Wurmfeld, USA)
Me Without You (Sandra Goldbacher, UK)
The Metamorphosis (Valeri Fokin, Russia)
Monsoon Wedding (Mira Nair, India)
Naqoyqatsi (Godfrey Reggio, USA)
Orange County (Jake Kasdan, USA)
Palestine is Still the Issue (Anthony Stark, UK)
The Photographer (Sebastián Alarcón, Chile)
Rabbit-Proof Fence (Phillip Noyce, UK/Australia)
Red Bear (Israel Adrian Caetano, Argentina)
Shanghai Ghetto (Dana Janklowicz-Mann & Amir Mann, USA/China)
That's My Face (Thomas Allen Harris, USA)


Ararat (Atom Egoyan, Canada)
The Brotherhood of the Wolf (Christophe Gans, France)
The Cat's Meow (Peter Bogdanovich, USA)
The Chateau (Jesse Peretz, USA/France)
Circuit (Dirk Shafer, USA)
The Dangerous Lives of Altar Boys (Peter Care, USA)
Dark Water (Hideo Nakata, Japan)
Das Experiment (Oliver Hirschbiegel, Germany)
8 Mile (Curtis Hanson, USA)
El Crimen del Padre Amaro (Carlos Carrera, Mexico)
The Food of Love (Ventura Pons, USA/UK/Spain)
Friend (Kwak Kyung-Taek, Korea)
Happy Times (Zhang Yimou, China)
Harry Potter and the Chamber of Secrets (Chris Columbus, USA)
His Secret Life (Ferzan Ozpetek, Italy/France)
Interview With the Assasin (Neil Burger, USA)
Lan Yu (Stanley Kwan, China)
One Hour Photo (Mark Romanek, USA)
The Private Archives of Pablo Escobar (Marc De Beaufort, Colombia)
The Quiet American (Phillip Noyce, UK)
Resident Evil (Paul W.S. Anderon, USA)
The Rules of Attraction (Roger Avary, USA)
Russian Ark (Alexander Sukorov, Russia)
Samy and I (Eduardo Milewicz, Argentina)
Satin Rouge (Raja Amari, Tunisia)
Scarlet Diva (Asia Argento, Italy)
Signs (M. Night Shyamalan, USA)
Standing in the Shadows of Motown (Paul Justman, USA)
Strut! (Max L. Raab, USA)
Sunshine State (John Sayles, USA)
Thelma (Pierre-Alain Meier, Switzerland/France/Greece)
The Transporter (Corey Yuen, France/UK)
The Truth About Charlie (Jonathan Demme, USA/UK/France)


Auto Focus (Paul Schrader, USA)
CQ (Roman Coppola, USA)
Destiny (Sam Ung, USA)
Donald and Dot Clock: Found Dead in Their Home (Michael Kowalski, USA)
Elling (Peter Naess, Norway)
The Emperor's New Clothes (Alan Taylor, USA)
Fidel (Estela Bravo, USA/Cuba)
Frida (Julie Taymor, USA)
Gangster No. 1 (Paul McGuigan, UK)
The Happiness of the Katakuris (Takashi Miike, Japan)
Hollywood Ending (Woody Allen, USA)
The Hours (Stephen Daldry, USA)
Ice Age (Chris Wedge, USA)
Jiyan (Jano Rosebiani, Iraq)
Monsieur Batignole (Gérard Jugnot, France)
Mostly Martha (Sandra Nettelbeck, Germany)
The Pianist (Roman Polanski, France/Poland)
Real Women Have Curves (Patricia Cardoso, USA)
Red Dragon (Brett Rattner, USA)
Rosa Funzeca (Aurelio Grimaldi, Italy)
Scotland, P.A. (Billy Morissette, USA)
Star Wars: Episode II - Attack of the Clones (George Lucas, USA)
Sisters (Sergei Bodrov, Jr., Russia)
Unfaithful (Adrian Lyne, USA)
Velocita Massina (Daniele Vacari, Italy)
The Wisdom of the Pretzel (Ilan Heitner, Israel)
XXX (Rob Cohen, USA)


Austin Powers in Goldmember (Jay Roach, USA)
Death to Smoochy (Danny DeVito, USA)
Harvard Man (James Toback, USA)
Igby Goes Down (Burr Steer, USA)
Millenium Mambo (Hou Hsiao-hsien)
My Big Fat Greek Wedding (Joel Zwick, USA)
Narc (Joe Carnahan, USA)
Serving Sara (Reginald Hudlin, USA)
Slap Her, She's French (Melanie Mayron, USA)
Suicide Club (Sion Sono, Japan)


Full Frontal (Steven Soderbergh, USA)
Ghost Ship (Steve Beck, USA)
Impostor (Gary Fleder, USA)
In Praise of Love (Jean-Luc Godard, France)
Storytelling (Todd Solondz, USA)
Tadpole (Gary Winick, USA)
The Way Home (Lee Jeong-hyang, South Korea)


Just a Kiss (Fisher Stevens, USA)
The Sweetest Thing (Roger Kumble, USA)
A Walk to Remember (Adam Shankman, USA)


8 Crazy Nights (Seth Kearsley, USA)
Master of Disguise (Perry Andelin Blake, USA)
Rollerball (John McTiernan)


Crap (Lou Cella, USA)

Kinda Ungradeable

Trailer Town (Giuseppe Andrews, USA)

One can always take a peek at the year's Top Ten List, can't one?

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Faceprint Global Solutions (FCPG)
Current Price $0.15
A company with hot new identity solution products
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Faceprint Global Solutions (FCPG) is pleased to announce that its European partner, Keyvelop, has teamed up with IBM's Partner World Industry Networks to deliver customer software requirement solutions for the international healthcare industry.
With FGS owning the exclusive North American rights to distribute the worlds leading encryption and transmission software developed by Keyvelop, FGS is poised to capture large volumes of sales generated by customers currently using IBM's software in the healthcare and other industries.
With traceability and security now deemed a serious business priority, companies are increasingly focused on employing procedures and controls designed to ensure the authenticity, integrity and confidentiality of electronic records.
"This is a very positive move for FGS and for Keyvelop," said FGS CEO Pierre Cote. "We are very happy about the decision to go with IBM. This is a continuation of the progress made by everyone associated with FGS and its partners."
Buell Duncan, IBM's general manager of ISV & Developer Relations commented, "Collaborating with Keyvelop will ensure that we develop open solutions that are easy to maintain and cost effective for our customers in the healthcare and life sciences industry."
Among other things, this new software technology which is currently being used by a number of European healthcare companies, is used to send any file, regardless of format or size. Encryption keys, evidence of transmission integrity with fingerprint calculation, time-stamping of all actions and status record updating, pre-checking sender and receiver identities, validating file opening dates are part of Keyvelop features.
About FacePrint Global Solutions, Inc.
FGS operates a business, which develops and delivers a variety of technology solutions, including biometric software applications on smart cards and other support mediums (apometric solutions). FGS's products provide biometric solutions for identity authentication and a host of smart card- and biometrics-related hardware peripherals and software applications. Apometrix, FGS's wholly-owned subsidiary, combines on-card or in-chip multi-application management solutions with best-of-breed 'in-card matching' biometrics. Keyvelop's secure digital envelope solution and Apometrix's on-card biometrics work together to produce the winning combination in the fields of security, traceability and identity management. FGS is headquartered in Fresno, California.

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All statements made are our express opinion only and should be treated as such. We may own, take position and sell any securities mentioned at any time. Any statements that express or involve discussions with respect to predictions, goals, expectations, beliefs, plans, projections, objectives, assumptions or future events or performance are not statements of historical fact and may be "forward looking statements." Forward looking statements are based on expectations, estimates and projections at the time the statements are made that involve a number of risks and uncertainties which could cause actual results or events to differ materially from those presently anticipated. This profile is in no way affiliated with the featured company. We were compensated one thousand dollars from third party (IR Marketing) to distribute this report. Forward looking statements in this action may be identified through the use of words such as: "projects", "foresee", "expects". in compliance with Section 17(b), we disclose the holding of FGS shares prior to the publication of this report. Be aware of an inherent conflict of interest resulting from such holdings due to our intent to profit from the liquidation of these shares. Shares may be sold at any time, even after positive statements have been made regarding the above company. Since we own shares, there is an inherent conflict of interest in our statements and opinions. Readers of this publication are cautioned not to place undue reliance on forward-looking statements, which are based on certain assumptions and expectations involving various risks and uncertainties that could cause results to differ materially from those set forth in the forward- looking statements. This is not solicitation to buy or sell stocks, this text is for informational purpose only and you should seek professional advice from registered financial advisor before you do anything related with buying or selling stocks, penny stocks are very high risk and you can lose your entire investment.
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i agree w/ adaptation.

otherwise that's the only one i think deserves to be at the top of your A- films.

--RC of
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